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In 17th century France, Young D'Artagnan leaves his home and travels to Paris with dreams of joining The Musketeers of Guard—the glamourous and gall .... Read More
In 17th century France, Young D'Artagnan leaves his home and travels to Paris with dreams of joining The Musketeers of Guard—the glamourous and gallant group of men who guard Louis XIII, King of France. There he meets Athos, Porthos, and Aramis, the three best musketeers and inseparable friends who believe with all their hearts in the words 'all for one, one for all.' D'Artagnan rents an apartment above the shop of one Monsieur Bonacieux, hoping to settle into Parisian life and become a proper musketeer quickly. What the young and gallant D'Artagnan does not realize is that he has, inadvertently, landed himself at the very center of one of the foulest conspiracies in monarchist France. There are love affairs and intrigues, ambushes and wild rides, duels and murders. And as the famous American author and editor, Clifton Fadiman says, 'it is all impossible and it is all magnificent.'
| Sr | Chapter Name | No Of Page |
|---|---|---|
| 1 | THE THREE PRESENTS OF D’ARTAGNAN THE ELDER | 17 |
| 2 | THE ANTECHAMBER OF M. DE TREVILLE | 11 |
| 3 | THE AUDIENCE | 13 |
| 4 | THE SHOULDER OF ATHOS, THE BALDRIC OF PORTHOS AND THE HANDKERCHIEF OF ARAMIS | 9 |
| 5 | THE KING’S MUSKETEERS AND THE CARDINAL’S GUARDS | 12 |
| 6 | HIS MAJESTY KING LOUIS XIII | 21 |
| 7 | THE INTERIOR* OF THE MUSKETEERS | 10 |
| 8 | CONCERNING A COURT INTRIGUE | 10 |
| 9 | D’ARTAGNAN SHOWS HIMSELF | 9 |
| 10 | A MOUSETRAP IN THE SEVENTEENTH CENTURY | 11 |
| 11 | IN WHICH THE PLOT THICKENS | 19 |
| 12 | GEORGE VILLIERS, DUKE OF BUCKINGHAM | 9 |
| 13 | MONSIEUR BONACIEUX | 10 |
| 14 | THE MAN OF MEUNG | 12 |
| 15 | MEN OF THE ROBE AND MEN OF THE SWORD | 9 |
| 16 | IN WHICH M. SEGUIER, KEEPER OF THE SEALS, LOOKS MORE THAN ONCE FOR THE BELL | 13 |
| 17 | BONACIEUX AT HOME | 14 |
| 18 | LOVER AND HUSBAND | 8 |
| 19 | PLAN OF CAMPAIGN | 10 |
| 20 | THE JOURNEY | 13 |
| 21 | THE COUNTESS DE WINTER | 10 |
| 22 | THE BALLET OF LA MERLAISON | 8 |
| 23 | THE RENDEZVOUS | 12 |
| 24 | THE PAVILION | 11 |
| 25 | PORTHOS | 21 |
| 26 | ARAMIS AND HIS THESIS | 18 |
| 27 | THE WIFE OF ATHOS | 21 |
| 28 | THE RETURN | 16 |
| 29 | HUNTING FOR THE EQUIPMENTS | 9 |
| 30 | D’ARTAGNAN AND THE ENGLISHMAN | 9 |
| 31 | ENGLISH AND FRENCH | 8 |
| 32 | A PROCURATOR’S DINNER | 10 |
| 33 | SOUBRETTE AND MISTRESS | 11 |
| 34 | IN WHICH THE EQUIPMENT OF ARAMIS AND PORTHOS IS TREATED OF | 9 |
| 35 | A GASCON A MATCH FOR CUPID | 8 |
| 36 | DREAM OF VENGEANCE | 9 |
| 37 | MILADY’S SECRET | 8 |
| 38 | HOW, WITHOUT INCOMMDING HIMSELF, ATHOS PROCURES HIS EQUIPMENT | 11 |
| 39 | A VISION | 10 |
| 40 | A TERRIBLE VISION | 9 |
| 41 | THE SEIGE OF LA ROCHELLE | 13 |
| 42 | THE ANJOU WINE | 9 |
| 43 | THE SIGN OF THE RED DOVECOT | 9 |
| 44 | THE UTILITY OF STOVEPIPES | 9 |
| 45 | A CONJUGAL SCENE | 7 |
| 46 | THE BASTION SAINT-GERVAIS | 8 |
| 47 | THE COUNCIL OF THE MUSKETEERS | 19 |
| 48 | A FAMILY AFFAIR | 16 |
| 49 | FATALITY | 16 |
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